'i e' when you learn to ride a bike > I.e. 'e g' when you learn to ride a bike > E.G. This 'hyphen' is 'hyphen' my 'hyphen' cheese > This-is-my-cheese (note the difference in spacing between this and when saying dash) This - is - my - cheese (note the difference in spacing between this and when saying hyphen) She said 'quote' see you next week 'end quote' > She said "see you next week" The 'point' number pi is three 'point' one four > The point number pi 3.14 (note the subtle difference between saying 'point' and 'dot' dot works between words) The number pi is three 'dot' one four > The number pi is 3.14 …becomes… Hi Jane, I will be there soon! Basic formatting For example: Hi Jane comma I will be there soon exclamation mark When dictating, you can include punctuation and formatting by saying what you want as you speak. To change the language that dictation uses on your iPhone, press and hold the microphone button when the keyboard is showing, then slide your finger up to select the language you want to use. Click the checkbox next to Enable the dictation keyword phrase write the first part of the two-part phrase you want to launch Siri.
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On the night of the awards, when Anne Bancroft was declared the Best Actress winner, Bette Davis stood waiting in the wings. So, Bancroft accepted Joan Crawford's offer to accept her award - just in case. When he saw the list of the other nominees, he advised her to stay at work. She sought advice from Mel Brooks, who she was dating at the time (They married in 1964). In Crawford's letter, she extended an offer to accept the award on the actresses' behalf, if for some reason they were unable to attend the ceremony.īancroft, who was in New York working on Broadway in the production of Mother Courage at the time, was torn about leaving the play for the Oscar® ceremony. In an effort to upstage her nemesis, Crawford wrote congratulatory letters to each of the other nominees - Katharine Hepburn for Long Day's Journey into Night, Geraldine Page for Sweet Bird of Youth, Lee Remick for Days of Wine and Roses - in addition to Anne Bancroft. However, her co-star in the movie and longtime rival, Joan Crawford, was passed over by the Academy. That same year, Bette Davis was also nominated for Best Actress for her role in Whatever Happened to Baby Jane?. Patty Duke, just 15 at the time the movie was made, went on to star in her own sitcom, The Patty Duke Show (1963-66). Bancroft, who up until that point had been cast in mediocre movies, such as Treasure of the Golden Condor (1953) and Gorilla at Large (1954) went on to starring roles in The Graduate (1967) and The Turning Point (1978). The Miracle Worker was responsible for launching the careers of both stars. As for Duke, she later admitted she dreaded the final wrap-up of the film because it meant her final separation from a role that had become such an important part of her life. ![]() In fact, Bancroft was hospitalized with pneumonia just after filming was complete. At one point during the filming, Bancroft started laughing from sheer exhaustion and her reaction was left in the film. For the famous dining room battle scene, which required three cameras for a nine-minute sequence and took five days to film, both actresses wore pads beneath their clothing. They remained committed to their original cast members and the studio acquiesced.ĭuring the filming of The Miracle Worker (1962), both Bancroft and Duke became so immersed in their roles, they put their health at risk. Reportedly, the studio made the following offer: " We'll give you $5 million if you do it with Liz Taylor, $500,000 if you make it with Bancroft." The choice to keep Bancroft in the leading role speaks to the way in which the creative team viewed Bancroft's performance. Patty Duke and Anne Bancroft, little known actresses at the time, played the leading roles of Helen Keller and Annie Sullivan and received rave reviews for their performances.ĭespite those positive reviews, United Artists made it clear to Penn and Gibson that they preferred bigger names in the proposed film version of the story. The Broadway production was directed by Arthur Penn and written by William Gibson. Helen Keller penned her autobiography titled, The Story of My Life in 1902, but it wasn't until 1959 that it was adapted for the stage. Finally, Annie identifies herself by spelling out "teacher." Wildly excited, Helen races about spelling the name of everything she touches-pump, tree, porch, bell, mother, father. As the water pours over her hands, the sudden realization that what she feels is w-a-t-e-r dawns on the child, and she grasps Annie's hand and spells out the word. Following an outburst at the dining room table, Annie drags the child to the pump on the front lawn and forces her to refill a pitcher from which she spilled the water. There, she attempts to revert to her former willful savagery, but Annie again opposes her. Annie asks for another week alone with Helen, but the parents, seeing the progress that has been made, insist on bringing the child back into the household. ![]() She is still unable, however, to comprehend that the words she spells are names for the objects she touches. At the end of the 2 weeks, however, Helen has learned to dress herself, eat with a fork, and understand the alphabet of touch. Though Annie succeeds in getting the family to allow her 2 weeks alone with Helen in a small garden house on the Keller property, the high-spirited and strong-willed child opposes her at every turn. ![]() Blind herself as a child and hardened by both her early years in institutions and the death of her younger, crippled brother, Annie realizes that if Helen is to be helped she must be removed from the pampering influence of her mother and the shouting domination of her father. In 1887 Annie Sullivan arrives in Tuscumbia, Alabama, to undertake the seemingly impossible task of teaching deaf, blind, 7-year-old Helen Keller "language" through the sense of touch. |
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